1. |
Delusion
05:46
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2. |
Disappear
04:18
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3. |
Apparition
05:14
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4. |
Bliss
04:00
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5. |
Stranger
05:41
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6. |
Bitter
06:20
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7. |
Self
04:51
|
|||
8. |
Follow
06:56
|
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supported by 14 fans who also own “Abject Failure”
NONE a opéré un virage dans Where Life Should Be et ça se confirme davantage dans Damp Chill of Life. Le temps des métaphores est révolu : l'humidité froide, c'est celle des larmes qui coulent sur le visage à cause de la dépression. Tout pleure dans cet album : les guitares typées DSBM grésillent, les solos ("The Damp Chill of Life", "It's Painless To Let Go") sont liquides et coulent, les voix prennent à la gorge ; même le piano, étranglé par les sanglots ("Cease"), est aphone. Insoutenable...
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.- -... ... . -. -.-. .
by Mesarthim
supported by 13 fans who also own “Abject Failure”
I was always intrigued by this group's choice of album covers, it isn't every day that you see high quality space photos in this genre despite the rise of "cosmic" black metal. But the music blew me away, this sounds like Austere took the atmospheric spacey route. (I will assume it's a coincidence that both bands are Australian)
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supported by 12 fans who also own “Abject Failure”
A truly stellar death/doom album with heavy doses of black metal. Tracks like Isolation, Child of Light, and Broken Hymns deliver the sorrowful and icy tone of this album, elevated by the stirring cello compositions of Raphael Weinroth-Browne. The album delivers a deeply satisfying crescendo in Becoming Intangible before stirring the soul once again with Epilogue.
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In advance of their November tour, catch up on the latest shredder from atmospheric black metal band Ghost Bath.
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Illusions In The Wake
by NOLTEM
featured on Bandcamp Radio Oct 29, 2021
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Everyone’s favorite cosmic black metal band returns, with a 16-minute opus that doubles down on industrial grind.
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Life has gone on long enough
by NONE
supported by 12 fans who also own “Abject Failure”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs...
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